Why I Disappeared + My New Writing Project

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So you may have noticed that I disappeared from the blogosphere.

I mean, it was just a slight disappearance that took up, yeah, about the whole month of April. Eek.

And I know what you’re all wondering: Why did you leave us with no warning? We’ve all been suffering without your fabulous blog posts! Don’t leave us anymore!!

Or something of the sort.

Well, there wasn’t a huge reason why I disappeared…mainly just a culmination of lots of little things that led to me not posting and only commenting on a few blog posts throughout the month.

Here’s some of the reasons:

  • I totally failed Camp NaNo. I don’t know how this affected me, but about the time I stopped writing in my novel, I stopped checking my blog as much. I stopped writing because I got to a point where I didn’t know how to write anything I liked (which I’m still struggling with, a bit).
  • The post I was working on was taking a long time to put together. Like, it was taking longer than my Dares posts do! It’ll still be coming to you, at some point, but I’m only about halfway through it at the moment. (For a sneak peek, it’s about positivity!)
  • Life was busy. Between school nearing the end of the year, choir festival, composing a choral song, reading lots of books, and procrastinating a lot, there just wasn’t any time. (Okay, I had some time. But not a lot.)
  • And…yep. I’m sorry for leaving you without your favorite blog.

But I’m back now, and hopefully for quite a while as well!



And now for more exciting things… I’m working on a new writing project!

Well, “new” might not be the correct terminology. I actually started this project two years ago, during April Camp NaNoWriMo, so it’s actually quite old. But I haven’t worked on it for a very long time, so right now I want to finish it! (Remember, one of my New Year’s Resolutions was to finish writing three novels.)

It’s called The Blade (or, at least, that’s what it’s called for now), and despite there being a lot of fighting and war and stuff like that, it’s really about the internal struggles of a girl named Riven, trying to figure out who she is.

It also involves:

  • A sword-fighting teacher who doubles as an counselor
  • A boy with a crooked smile and great letter-writing skills
  • A sash
  • A loyal horse (or two)
  • A desert-y setting with canyons and red rocks
  • A mysterious man in black (yep, like Princess Bride)
  • A magic-less fantasy
  • A war
  • And a lot of heartbreak

And I know you’re dying for an excerpt now, so I tried to find something non-spoiler-y but still something I loved. So here’s this:

“Sometimes Malik sings to me when I can’t fall asleep,” said James, leaning up against the rock.

I stared. This Malik was sounding stranger and stranger. What sort of man would sing a little boy a lullaby to help him sleep? Well, perhaps the same kind who would take a whiplash for him. The kind of man who would love…so why would he be with the Bleeding Sun? “He sings to you?”

James nodded.

“What does he sing?”

“I can’t really remember all of it,” he said softly, a faint blush of embarrassment rising to his cheeks. Perhaps he didn’t want to have me intrude on this memory. Or maybe he just didn’t like singing.

“What’s the song about?”

James drew his finger through the red sand for a few moments before answering. “It’s about falling asleep and dreaming of a castle, and a princess.”



talk to me!

Did you miss me terribly? (Actually, don’t answer that, I know you did.) Did you write any awesome posts that I didn’t read/comment on & should? What was the best/worst part of April for you? How did Camp NaNo go for you? You must tell me everything I missed! And what do you think of my new project? Are you excited to learn more about it?

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Dragons + Viking Culture + Middle Grade = Camp NaNoWriMo

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That’s right, friends, Camp NaNoWriMo is just around the corner (a.k.a. tomorrow), and today I’ll be sharing my novel idea with y’all!

As you can (hopefully) tell by the title, it’s a middle grade novel with dragons and a Viking-era setting, and what you didn’t know is that it also involves three banished children and a miniature, snarky dragon.

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I wrote those runes in on this picture; it means “dragon novel” in Nordic runes. The picture is a pretty good representation of a drake as well…


Who are the characters?

MIKAEL

Mikael is the main character. He’s quiet and creative, and he carries around a sketchbook with him. He has a big family and sometimes goes unnoticed, so he wants to become someone great that people will appreciate.

ASTA

Asta is the daughter of wealthy parents, and she’s extremely intelligent. She sees the world in a very direct and clear way, and she uses that to her advantage in order to get whatever she wants.

IZAK

Izak is a bit of an outcast compared to the other two. After his mother died, he and his father have been on their own. Consequently, he’s spent a lot of time out in the wild and knows how to survive.

LOKI

Loki is a drake (miniature dragon) who can talk and uses his clever wit to insult anyone around him. When that doesn’t work, he’ll bite them. He can be very influential and charismatic when he wants to be, but making jabs at other people is much more fun.

(I had a drawing of them, but Izak was drawn wrong, and the clothing was inaccurate for the time periods, so you don’t get to see it… Hopefully I can draw another one soon to show you!)

 



What’s the story about?

Well, here’s my synopsis:

The coming-of-age ceremony requires three children to work together to complete tasks, but even quiet Mikael knows that it’s not all about learning how to work together. Those who win are awarded with respect that no other child would receive–and with the loud, inconsiderate Izak in his group, Mikael is less than happy with their chances.

So when Asta, the third and cleverest member of the group, suggests taking one of the talking drakes with them, Mikael agrees, even though it’s not allowed. Everything falls apart during the competition, and when the drake is found with them, the three of them are banished for a week–the three children and the drake, Loki.

Away from their home for the first time, they find out what lies beyond the cliffs–runes and ruins that lead to secrets that have lain hidden for hundreds of years.

They must work together and develop friendship in order to uncover the deepest secrets and stop the forces that are combining against them.

It’s all very friendship-y and touchy-feely, but hey, it has a good message for middle-graders, right?

I’m very excited to write this! It came about partially because dragons but also because I wanted to write something for my younger brother. It should hopefully be short and sweet and maybe with a hint of plot twist



¡Háblame! (Speak to me!)

What do you think of the novel? What is your project about for Camp NaNo? Are you ready to write like crazy tomorrow? Do you like dragons? (If you say no, something drastic might happen…) What does your candy stash look like?

P.S. Because of this post, I’ve decided to try increasing my blog’s readability. I think my post is definitely more readable than others, but I feel like my voice has faded and this post was not as exciting as it should have been, since I love this project. Feedback? I would love to find a good balance and improve my blog.

P.P.S. If you are wondering where I’ve been, I went on choir tour (much fun!) and then I’ve also been procrastinating/frantically doing homework in the wee hours of the night/stealing the books my mom is reading/occasionally writing, all instead of blogging. Sorry?

Enhanced: The Complete Field Guide, Part One (Places)

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I’m beginning a field guide to help you identify characters, places, and plots in my current novel, Enhanced (and in the entire series), including fun facts and more info than you ever wanted to know! It’ll be great, just trust me.

Plus, once I’m done posting all three parts (Places, Characters, and Plots (and maybe Other?)), I’m going to compile them into one huge field guide that can be found under the “Epic Sci-Fi” menu. That way, if you ever have no idea what I’m referencing in one of my posts, you can check out the field guide! Am I too excited about this? …Probably.



PLACES

THE CITY

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Here’s some of the designs I was considering for the layout of the city…I chose the big one in the middle, but I can’t show you the finished, larger one because I’ve lost my big sketchbook at the moment… *sighs*

The city that as of yet is still nameless is the central location of the novel. In the city, it’s like our life–but cooler, with interesting technology like 3-D computers and airtrains and awesomeness like that. It’s full of rich people who are busy and wrapped up in their own lives. It also rains all the time, but that happens in the Outer Regions (see Places–The Outer Regions) as well.

Fun fact: the city was inspired by my trip to NYC, so if you’ve ever been there, that’s kind of what it’s like. But cooler.

THE ENHANCEMENT FACILITY (also referred to as THE FACILITY)

This is a government-owned facility where genetic modifications (“Enhancements”) are done on people in the name of science and healing. If you were clever, you probably noticed the correlation between “Enhancement Facility” and the title of “Enhanced.” If you didn’t notice, that’s okay too. That’s because the main characters believe it’s a horrible place and want to break in and rescue some people (see Plots–Rescue Seth). Namely, a guy named Seth (see Characters–Seth).

Fun Fact: Throughout the book, six of the major characters spend some time in the Facility. By the end of Cryonic, all of the major characters except for two will have gone there. (And, trust me, there’s a lot of major characters.)

THE DELOREM PROGRAM (also referred to as THE DELOREMS or THE REMS)

The Delorem Program is another government-owned…thing. *headdesk* There, people are paid to experience pain. It’s basically a last resort for those who are poor in the Outer Regions (see Places–The Outer Regions) to support their families. Because of the desensitization to pain, it’s rumored that the people in the program (the “Delorems”) can’t feel any emotions.

Fun Fact: “Delorem,” in Latin, means pain. So, “The Delorem Program” literally means “The Pain Program.” Sounds happy, right?

THE SAFEHOUSE

The safehouse is where the Reapers (see Characters–The Reapers) hang out and basically do their criminal stuff without being caught by the authorities. Because there’s so little ground space in the city, the house itself is small, but the basement is large and stocked full of all sorts of stuff.

THE OUTER REGIONS (also referred to as THE REGIONS)

The Outer Regions is the area that surrounds the city (see Places–The City) and is full of lots of poor people (extremely third world conditions) under governmental control. However, because they don’t know any better, most of them love the government (see Characters–The Pinnacles). And, of course, the people in the city think that the people in the Outer Regions are savages. There are eight regions and each has a specific purpose in supplying and supporting the city.

Fun Fact: The Outer Regions actually have their own religion, called Cajinism. It comes to play in Cryonic, the second book in the series, with Kai and Brie. (see Characters–Kai and Characters–Brie).

REGIONS ONE AND SIX

Region One and Region Six are both variable regions, which basically means they are well-rounded and end up doing whatever the pinnacles tell them to (see Characters–The Pinnacles). *nods*

REGIONS TWO, THREE, FOUR, AND FIVE

Regions Two through Five are all related to farming stuff. Because, hey, somebody’s got to feed everyone, right? Region Two specializes in herbs and plants grown in greenhouses, Region Three does livestock, Region Four grows orchards, and Region Five is centered around farming (as in growing plants and harvesting them).

Brie and Seth are from Region Four, and Kai is from Region Five (see Characters–Brie, Characters–Seth, and Characters–Kai).

REGIONS SEVEN AND EIGHT

Region Seven and Region Eight both use metal-work. Because of this, they have to use more complicated machines are are less of a third-world place and a little more suspicious of the city and the pinnacles. Region Seven does the large metal work and Region Eight does the fine metal work.

Taira and Will are from Region Eight (see Characters–Taira and Characters–Will).



And…yeah, I think that’s it for this section. Yup, Places is definitely the shortest (and possibly the most boring) of all of them. However, the places in the city are rather essential in order understand the other ones.

How did you like the post? Are you excited or not for the other sections? Are all of the “see this” parentheses annoying? They were meant as a joke, and then I think they just got tedious by the end, so should I take them out of the other two sections? Any tips for how to make the next section better or improve this one? Are you excited about this novel?

And ju105_0189-editedst because you are awesome for reading this all, have a sneak peek at one of the characters’ hairstyles. For bonus points, be the first to guess which character it is!

Spotlight #4: A Novel for Sundays

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In Monthly Dares: January 2017, I mentioned that on Sundays I was writing a different novel than Enhanced in order to try to honor the Sabbath more, and today I shall be talking about that novel!

The decision not to write my normal novel on Sundays came…I don’t know, a year or two ago, when I was doing NaNoWriMo. I decided that I wanted to not have to think about it or worry about it on Sundays, and just go to church and spend time with my family. Sometimes, it’s hard not to write when the characters are crowding my head, but I haven’t done it since then.

However, doing the 365k challenge this year posed a problem…if I was to write 1000 words every day, that meant I’d have to write a thousand words on Sunday as well. And so I found this novel that I’d written a prologue and part of a first chapter of beforehand and decided to continue it this year. (See, that way, it doesn’t count as starting a new novel, so I’m not breaking any resolutions.)

It’s a contemporary romance about this independent, stubborn girl (well, adult) named Scarlett, and some of the challenges she has to go through with her faith and life. I’ve read a lot of romances by LDS authors, and while some of them touched on the subject of their faith, I’d never really found one that really showed the progression of faith and how that changed the character–they were all just about the romance.

So this novel was born from me wanting to write something where the main character has to really go through some big spiritual development, with some romance on the side.

Basically the idea is that Scarlett has been running from her life for the past year or two because of a lot of really hard things that all occurred around the same time, and she just felt like she had to get away.

One day, she finds herself back in her home state of Utah, in a little town called Heatherfield, where her old car (lovingly called Miss Must) breaks down in front of a box of zucchini and a house for rent.

A series of “coincidences” occur, and Scarlett finds that everything has fallen in place for her to settle down for a few months in Heatherfield. Throughout her time in the little LDS town, she has to show her resilience and be humbled, to give up her pride and fears and trust in the Lord–and those around her.

It’s about her spiritual journey and how she herself improves, and has to give up things, and try new things, and fix her mistakes, and…I’m really happy about it. I don’t know yet what specific things are going to happen to her, but I love the concept of the novel and that I can include my faith and testimony in it, which is so precious to me.

Since this is a Spotlight, I’m going to include a little excerpt here of one of my favorite parts that I’ve written. It’s by no means polished, but I love its message.



All the way out of Heatherfield, my mind was drawn back to Lane and that old house. It wasn’t that either had been particularly special, but…it was just nice to talk to someone normally again.

Missy started stuttering as I drove past the church. “Don’t you dare break down again, Miss Must.”

Even with me threatening her full name, Missy still shuddered to a halt, just in front of the church where I’d prayed earlier.

I leaned my head against the steering wheel and closed my eyes. “This is it. Next time I can get to a car dealership, I’m going to buy something better than you,” I muttered to Missy.

After I let the threat sink in, I tried the car again. Nothing. I then tried to appease Missy, telling her how much I appreciated her, but nothing worked. What was it Lane had said he’d done? Something about the engine…or maybe the battery? I couldn’t even remember.

I’d learned in primary to pray in situations that seemed hopeless, so I figured it was worth a shot. Heavenly Father, please help Missy to start again so that I can leave. Thank you. In the name of Jesus Christ, amen.

Nothing. Of course it hadn’t worked. It wasn’t like any of my other prayers had ever been answered; why should this one, the smallest of them all, be the one He listened to?

I looked out the window again at the church. On the other side of the street, just an hour ago, I’d sat there and prayed for an answer. I hadn’t seen a vision; I hadn’t heard a voice. I wasn’t even sure if the Spirit had said anything.

But five minutes later, Missy had broken down just in front of Lane’s house, where he’d shown me a house that should have been on sale but the owners were considering renting. And now, just when I was about to leave Heatherfield, Missy had broken down again.

Heavenly Father…? Maybe I shouldn’t even have to ask you this, but…is this the answer to my prayers? Am I supposed to stay in Heatherfield? Is this where I’m supposed to be?

I hadn’t even said “amen” when I felt something a little indescribable. I hadn’t felt it in a long time, the sense of warmth and complete peace that filled my heart, emptying my mind of all its doubts. The Spirit.

Thank you, I whispered to my Father.

Mermaid Clans, Fairy Tales, War, and Adorable Princes (a.k.a. my NaNoWriMo Novel)

It has clearly been too long since I last posted, but I have been busy. (And also procrastinating, but let’s just focus on the busy here, hehe.) Anyhow, I’m back today to ramble for a little while for the novel I’ll be writing for National Novel Writing Month this November!

If you don’t know what NaNoWriMo is who are you child, it’s where you try to write a novel in a month. Obviously. If you want more info, head on over to http://nanowrimo.org/

Butttt my novel! Let’s talk about that. It’s called….drumroll please…Battle Song. And I’m sure you’re wondering what it’s about, and, to be honest, most of it’s in the title.

I actually did talk about it a bit in this post, which also had this picture I drew:

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Of course, at that point I didn’t know I’d be writing it for NaNoWriMo, and it’s more developed now, so I’ll just give you a quick summary right now. Basically, the idea is a retelling of The Little Mermaid where the mermaid loses her beauty rather than her voice, and also where the mermaids are a warrior society.

This idea has been developed more and I just want to ramble a little bit more about the stuff I’m really excited about, mentioned in the title.

Mermaid Warrior Clans

I am so happy about this. The MC is named Amrya il Osamarii, from the Osamarii clan. Basically there’s these huge family clans/tribes and they all war among themselves because…well, because I can’t resist having fighting or war in my stories. I just can’t. I’m pretty sure that there may also be something with some of the tail scales being valuable or increasing your position in society…but yes, they’re all warriors, including Amrya.

The reason I love this besides the whole warrior thing is that we get lots of new culture with a clan thing rather than a typical nuclear family, and there’s also going to be a strong theme of family. Amrya has five older sisters (or maybe only four, I can’t remember…), and one of the main points in the story is about her mother who died a while ago.

Her mother’s death is especially important because in the original Little Mermaid story by Hans Christian Andersen, the whole reason (besides love) the mermaid becomes a human is in order to have an immortal soul (which, of course, Disney took out) rather than turning into sea foam. So the whole sea foam/immortal soul/life after death is going to come into play in the novel, which I’m really excited for.

Fractured Fairy Tales

Okay, I just love fractured fairy tales and retellings and all that fabulous stuff. I’m just going to fangirl over those until the end of my days. I adore Ella Enchanted and also there’s some great ones by Jessica Day George that I read recently, and if you have any recommendations of adorable and awesome fairy tale retellings, please tell me.

I think it’s so interesting to see how many different twists you can take on one story, and I especially love the twist I’m going to be using. It’s going to be more about falling in love because of what you say and how you act and actual friendship rather than the annoying “love at first sight” stuff. Which’ll be great. And just people who are able to be actually in love and don’t just care about beauty. (I’ll probably talk about this more in the adorable princes section.)

And then I’m so excited to be writing a fractured fairy tale just because I get to include all of these extra little tidbits from the original story. Like, the palace is a yellow-ish color, and there’s a river thing that runs under the prince’s balcony where the mermaid watches him which, you know, isn’t creepy at all, and the girls who find the prince after the little mermaid has rescued him are actually part of a convent. There’s all sorts of cool reference things that help develop the culture, and I’m very excited.

War

I told you before, I can’t resist including a war in my novels. And just because continuous battles between the mermaids isn’t enough, the humans are also in a war. Is it bad that I’m already fangirling over this? And this is made so much better because the prince that Amrya is trying to get to marry her is also trying to deal with a war and generally just annoyed with her because of that. But since Amrya has grown up learning how to fight (and more than that, underwater, where it’s so much harder because of the water resistance), she gets to show off her sweet skills and totally be better than him. It’s wonderful.

Adorable Princes (who I just want to hug because they’re great)

This is possibly one of the things I’m most excited for. I always fall for romances with princes. (Ella Enchanted again.) They’re just my favorite, especially when the princes are so cute and sweet and just the perfect gentlemen.

And there are two fabulous princes in Battle Song. I can’t wait. I haven’t really developed their characters yet, not like I have with Amrya, but I know the basic idea about them. There’s the older brother (and the fact that they’re brothers makes this even better because siblings are fantastic), and he’s the crown prince. He’s a little arrogant and rude but I still love him so much because arrogant princes are so dramatic and fabulous. He also happens to be the one Amrya saves from drowning and also makes the deal with the sea witch to marry, but no way does he want to marry her.

But, there’s also the younger prince who is so squee-worthy because he’s one of the perfect gentlemen kind of guys. And he becomes Amrya’s friend and they’re adorable and sort of fall in love, all while Amrya’s trying to get the other prince to marry her before he marries anyone else. Which creates this love triangle-ish sort of thing, but it doesn’t really count because we all know who she’s supposed to end up with.

I don’t want to give away too many spoilers, but there’s this one scene that just makes me die a little inside when I think about it because of its cuteness. Basically, there’s that whole thing where, because the little mermaid’s deal with the sea witch, every step feels like stepping on knives, right? And, in the original fairy tale, there’s this scene where the little mermaid is hiking with the prince and her feet start bleeding. And so I decided that Amrya’s feet get worse as time goes on from walking on them, and they eventually start bleeding. She tries to hide it from everyone, but eventually the younger prince finds out–and basically adorableness ensues because he’s worried about her and gahhh the damsel in distress and valiant knight thing always get to me.

And the best part about the younger prince is that he loves Amrya even though the sea witch took away her beauty, because he knows who she is inside, and that’s what he loves. Which is exactly the kind of guy I want to marry me.

And one more thing that makes me excited and also a little nervous: I haven’t yet decided whether or not it will end happily. I mean, you look at any other fairy tale retelling, you start the book, and you know it’s going to end happily. But with The Little Mermaid, the original doesn’t end happily. And so you actually have a chance of a sad ending where things don’t work out, and the girl doesn’t get the guy, and it’s not happily ever after.

Which I both hate and love at the same time. I hate it because I want Amrya to have a happy ending and I love ships that work out and fall in love, and that’s how I feel it should be. But that’s also why I love the idea of a sad ending: it’s not supposed to end that way, and you know it. But, that’s how life is sometimes. There’s tragedies and pains and there’s all that feeling and that’s the part of me that wants it to end with the prince marrying someone else and Amrya turning into sea foam.

I’m undecided right now, and it’s possible I won’t even decide until the very end. I think I’m procrastinating the decision.


Anyhow, that was a very long post, but also very fun! Are you participating in NaNoWriMo this November? What are you writing? I’m so excited for Battle Song (if you couldn’t tell). Tell me what you think. Do you love fairy tales as well? Wars? Adorable princes? What are your favorite fairy tale retellings?

And So it Begins…

CNW_Participant.jpgYes, Camp NaNoWriMo has started! The excitement will wear off in a week or two, I know, but right now I’m excited about Camp and life and everything. Plus, I get Spring Break off of school next week, and it is fantastic how it coincides with the first week of Camp. That way I’ll have time to write while I actually want to.

Yesterday, for my first day, I wrote 1563 words, and I’m fairly pleased with that. It would’ve been nice to write a bit more, but I’m satisfied with how much I wrote.

I’m also kind of satisfied with the content I wrote. Obviously, it’s a first draft, and first draft + NaNoWriMo = blehhkghh, but not counting that, it’s actually okay, and my writing is ever so slowly improving.

One thing that was particularly fun to write about was about the airtrains, which is a public transportation system with railroad tracks that are about ten stories high. It was kind of inspired from my trip to New York City this year, where I rode the subway everywhere, but I altered it a little bit to be more sci-fi-y.

So it was fun to add a few of the setting details in that I’ve been thinking about, and I liked having a conversation between Will and Taira, and seeing the dynamic between them (they’re cousins, but their relationship is a little more like a brother and sister).

Other than that, I haven’t really written much that I can report on, or give advice-y things about, so I think I shall wrap up this post soon. I’m super excited to continue writing and see the plot take shape, and I’ll keep you updated on how my writing goes throughout the month.

For those of you who are doing Camp, how are all of your novels coming along?

 

Camp NaNoWriMo: Cryonic

Well, guess what email I received in my inbox on Tuesday?

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Yep, Camp NaNo is in a month.

I haven’t even been thinking about it recently, let alone started planning for it. I knew that I’m writing the sequel to KT, a novel I finished last October, I just had no idea what the plot should be about. Plus, I wanted to finish the first draft of my Zel novel before April. Yeahhh…I don’t think that’s going to happen. But I’m still going to try, because apparently I like to put myself through lots of stress by pushing necessary goals and deadlines on myself.

Like Camp NaNaNoWriMo.

For those of you who don’t know, Camp NaNoWriMo is like the normal National Novel Writing Month, only it’s not in November, you can choose your word count goal, and you don’t have to write a novel. (I’m thinking of maybe writing a screenplay this July…)

April Camp NaNo was actually where I finished my very first novel, so it has a little bit of a special place in my heart. It also means that this is my anniversary of doing NaNoWriMos for 3 years. This is also going to be my 10th NaNoWriMo experience. So…it’ll be fun.

What’s even more fun, though, is that I had an idea for the actual plot of my novel the day after I got this email. I was researching stuff for history class, and I somehow ended up reading articles on cryonically freezing people.

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Here’s the little google search definition for you. I’m wondering if there’s bodies inside those tanks in the picture…

I’d never heard of it before, and it was really fascinating to read about. (If you haven’t heard of it either, the link to the Wikipedia page is here.) And just by reading about it, I decided that I really wanted to write a book with it. The plot bunny specifically that came to me was that the villian-ish person of the novel had been cryonically frozen about a hundred years ago, and science had finally gotten good enough to revive him and bring him back to life.

KT and its sequel are set in a sci-fi setting, and thinking about it, I realized I could use this plot bunny for the sequel I’ll be writing this April. There were actually a lot of ways it could relate to the first book, and I already have a reason for why he would be revived.

Now, his name, personality, and why exactly he’s “evil” are yet to be discovered, but I’m really excited about writing this. I think it’ll be especially interesting to explore how someone would react to waking up a hundred years later (or maybe even more, depending on how long I decide he’s been frozen for), and seeing how the world has changed. And what about the people he knew? They’d all be dead. It would be like falling asleep and waking up to find yourself in a completely alien world.

I’m also excited to explore a lot of the side characters in this second book, because I introduced some interesting ones at the end of the first book, and I really want to see their personalities and how they interact and stuff like that. I think it’ll be lots of fun.

And since I decided I needed a title for the novel while I was creating it on the Camp NaNoWriMo website, I have given it the working title of Cryonic. It’s fairly simple, but I think I like it, at least right now. Maybe I’ll come up with something later, but I like the symbolism this one could reflect. In the story, people’s hearts could be “frozen” and things like that.

So I’m finding myself very excited for this April, and I can’t wait to get back to Kai and Taira and all of my other characters from the first book. It’s going to be lots of fun!

Melodies and Harmonies in Writing

I realized it’s been a while since I’ve written a music-related post, so I decided to write one, about melodies and harmonies–or rather, plots and subplots.

For example, take this song, All the Pretty Little Horses. It’s a slightly creepy lullaby that I love because my mom used to sing it to me when I was little. I love the melody and the minor tune that makes it interesting.

Or on the other hand, there’s songs like Entreat Me Not to Leave You composed by Dan Forrest. (I shared a song by him in this post.) Based on the story of Ruth and Naomi from the Bible, it’s absolutely beautiful, a cappella, and goes to 8-part harmony at times.

The first song only has one melody, while the second has a melody plus a whole bunch of harmonies. But just because All the Pretty Little Horses doesn’t have the harmonies that Entreat Me Not to Leave You has doesn’t mean it’s bad. They’re both beautiful pieces of music.

But what would be bad is if you had a choir full of beautiful singers who had the capability to sing 8-part a cappella harmonies, and you had them all singing unison throughout the whole song.

If we compare All the Pretty Little Horses to a short story, then having just the melody–the main plot–is just fine. The story is short enough that it would be hard to incorporate more than one plot, just as it’s impossible for one voice to split into multiple parts. (Although, that would be awesome. I wish I could do that.)

And thus, Entreat Me Not to Leave You would be comparative to a novel, with a main plot, as well as a whole bunch of subplots and characters and worldbuilding and all sorts of awesome stuff like that.

But despite that each harmony is different from all the others, they also fit with one another. I could put eight random notes together, but it’s likely that putting those eight together at once would sound…eghhgh.

Yet in Entreat Me Not to Leave You, even though it does often split into eight notes, they go together. They harmonize with each other.

So, how does harmonization of melodies and harmonies go along with writing novels? When writing plots and subplots, they have to, well, fit together somehow. Usually they don’t weave together until the end, but then, suddenly, you realize how everything fits together.

Finding out how everything fits is one of my very, very favorite things about writing.

I guess what I’m trying to say is that when you write a novel, you want all the pieces to sort of fit into the main plot. Not only just the subplots, but also even down to the scenes. Every scene should contribute something to the plot, right? So writing something random about gemstones turning all the characters insane is probably not a good idea. (Yes, I did do that in my first novel.)

Similarly, characters that last for more than one scene/affect the characters/are not “extras” should also play roles in the plot, and at least affect it a little bit. Everything, or nearly everything, that goes into the plot should come out of it at sometime in another place, at a way that can either help or hinder your characters.

Like every scene should contribute to the story, so should each character, each setting, each piece of the plot. If they don’t come together like that, the tune will become discordant and confusing.

But when they do flow together and change the story, each piece pushing the main plot along, all the notes will harmonize, and you will get a beautiful song.


 

(My apologies if this post is really disjointed or confusing. I was not only distracted while writing it, but also wasn’t sure how to write out my thoughts very well.)